[operatic] Anna Netrebko (Анна Нетребко) - Нижегородский Форум Друзей

***upoke3*** · 22.02.2009, 23:52

Anna Netrebko

2004 Sempre libera

Anna Netrebko was born in Krasnodar, in the south of Russia in 1971. She received her vocal training at the St. Petersburg Conservatory, where she appeared as Susanna in Le nozze di Figaro and Violetta in La Traviata. In 1993 she was first-prize winner of the Glinka Vocal Competition in Moscow, and joined the Kirov Company at the Mariinsky Theatre in St. Petersburg, to which she still belongs. The following year she made her debut there as Susanna in Le nozze di Figaro; some of her other important roles with the company include Lucia in Lucia di Lammermoor, Amina in La sonnambula, Rosina in Il barbiere di Siviglia, Pamina in Die Zauberflöte, Micaëla in Carmen and Louisa in Prokofiev’s Betrothal in a Monastery. In 1995 she graduated from St. Petersburg Conservatory and made her sensational US debut as Lyudmila in Glinka’s Ruslan and Lyudmila at the San Francisco Opera. Praised both for her beauty and glorious voice, Anna Netrebko is one of the world’s most stunning young sopranos who sweeps audiences off their feet wherever she appears.
Anna Netrebko's second CD is even more impressive than her first. She still may not be an absolutely polished, finished artist, but she's working at it and presents here a very satisfying program. She doesn't quite have the stature or insights for Verdi's Violetta yet, but aside from some smudged coloratura in low-lying passages she sings the first act scene quite well. She's close to ideal in the Sonnambula and Puritani excerpts, where her girlishness is entirely right, her coloratura dazzling, and her ability to sound tearful really impressive. The Lucia Mad Scene is quite wonderful, even if the runs are sometimes not as well-delineated as they should be. And although she's not vocally suited to Desdemona's Willow Song and Ave Maria, she does manage to darken her voice to fit the character and presents a very moving portrait. The CD ends with an utterly charming "O mio babbino caro." Artistry and everything else aside, her voice is just beautiful. Claudio Abbado's leadership is ideal.

ANNA NETREBKO
Sempre Libera
Works by Bellini · Donizetti · Verdi · Puccini
Mahler Chamber Orchestra
Claudio Abbado
CD DDD 474 8002 GH
Release: Aug. 2004

[Для просмотра данной ссылки нужно зарегистрироваться] mp3 192

22.02.2009, 23:52	#1
*upoke3* кто-то другой Регистрация: 18.09.2007 Адрес: Автозавод Пол: M Провайдер: Билайн Сообщений: 13,833 Поблагодарил: 2,194 Поблагодарили 22,276 раз в 8,456 сообщениях Открыли хайд : 0 в этом сообщении 104 Всего Награды пользователя: Всего наград: 1	[operatic] Anna Netrebko (Анна Нетребко) Anna Netrebko 2004 Sempre libera Anna Netrebko was born in Krasnodar, in the south of Russia in 1971. She received her vocal training at the St. Petersburg Conservatory, where she appeared as Susanna in Le nozze di Figaro and Violetta in La Traviata. In 1993 she was first-prize winner of the Glinka Vocal Competition in Moscow, and joined the Kirov Company at the Mariinsky Theatre in St. Petersburg, to which she still belongs. The following year she made her debut there as Susanna in Le nozze di Figaro; some of her other important roles with the company include Lucia in Lucia di Lammermoor, Amina in La sonnambula, Rosina in Il barbiere di Siviglia, Pamina in Die Zauberflöte, Micaëla in Carmen and Louisa in Prokofiev’s Betrothal in a Monastery. In 1995 she graduated from St. Petersburg Conservatory and made her sensational US debut as Lyudmila in Glinka’s Ruslan and Lyudmila at the San Francisco Opera. Praised both for her beauty and glorious voice, Anna Netrebko is one of the world’s most stunning young sopranos who sweeps audiences off their feet wherever she appears. Anna Netrebko's second CD is even more impressive than her first. She still may not be an absolutely polished, finished artist, but she's working at it and presents here a very satisfying program. She doesn't quite have the stature or insights for Verdi's Violetta yet, but aside from some smudged coloratura in low-lying passages she sings the first act scene quite well. She's close to ideal in the Sonnambula and Puritani excerpts, where her girlishness is entirely right, her coloratura dazzling, and her ability to sound tearful really impressive. The Lucia Mad Scene is quite wonderful, even if the runs are sometimes not as well-delineated as they should be. And although she's not vocally suited to Desdemona's Willow Song and Ave Maria, she does manage to darken her voice to fit the character and presents a very moving portrait. The CD ends with an utterly charming "O mio babbino caro." Artistry and everything else aside, her voice is just beautiful. Claudio Abbado's leadership is ideal. ANNA NETREBKO Sempre Libera Works by Bellini · Donizetti · Verdi · Puccini Mahler Chamber Orchestra Claudio Abbado CD DDD 474 8002 GH Release: Aug. 2004 [Для просмотра данной ссылки нужно зарегистрироваться] mp3 192 __________________ ...не настолько нищий, чтобы быть всегда лишь самим собой...